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French designer Philippe Starck used wood, glass and marble as core materials in his design for the Hotel Fasano in Rio de Janeiro, Brazil. The 92 room hotel overlooking Ipanema beach enjoys a spirit of sophisticated casualness, with many furnishings in the vein of 1950s and ’60s Brazilian design, including pieces by Studio Branco&Preto, Sergio Rodrigues and exclusive creations by Philippe Starck himself.
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In a small private garden in Münster this space hovers above a flat pool, framed by high bamboo stilts. The visitors reach the staircase across 3 natural-stone steps between water-lilies.
The terrace, made of tatajuba-wood, rests on four stainless-steel stilts and is big enough to relax comfortable on it. Some steps and a small catwalk lead the visitors to the cabin.
The curved cabin in the middle of the pool is covered with a zinc-sheet and lamellas of tatajuba-wood underneath. It rests on eight asymmetrical arranged stilts. Large curved glass at the gables and slim windows at the sides lighten the interior and give a bright and transparent look to the cabin
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This house is a vision device. A system that rules the way the inhabitant sees the outside world and simultaneously frames the way the outside sees the dwellers. The design of this object was focused on this theme. The big curved window is this statement vortex, it creates a visual path that, like a camera traveling, reveal the image of the landscape.
The programmatic development of the house reflects the classic bourgeois organization promoting the clear division of rest areas leisure areas and work areas. This division creates tree limbs that are united by this design morphing that develop the two big windows of the living room.
The idea of landscape as an image and its importance in the domestic living were the main design focus of this scheme.